Alexander has been composing music since he was a toddler, sitting in the back of his family’s yellow Volkswagon, singing at the top of his lungs. Recently, though, his compositions are more theatre-based. Throughout his time at the University of Victoria, he composed scores for many shows. Follwing university, he composed music and designed sound at the Chemainus Theatre Festival while there as an acting apprentice. He has worked at the festival many times since as a sound deisgner, composer, and musical director. Other companies he has designed sound and writen scores for include Kaleidoscope Theatre, Pi Theatre, The Only Animal, Blackbird Theatre, Solo Collective, and Gateway Theatre."Macbeth End of Act 1" (for Kaleidoscope Theatre's Macbeth)
"The Raven Himself Is Hoarse" (for Kaleidoscope Theatre's Macbeth)
"Art of Murder" (for Gateway Theatre's Art of Murder)
"The Sun Reprise" (for Kaleidoscope Theatre's Silverwing)
"The Tiger Moth" (for Kaleidoscope Theatre's Silverwing)
"Pirate Princess Outro" (for Chemainus Theatre Festival's Treasure Tales)
"Overture" (for Kaleidoscope Theatre's Animal Farm)
"Manor Farm" (for Kaleidoscope Theatre's Animal Farm)
"At The Fair" (for Kaleidosope Theatre's Charlotte's Web)
"Thrush and Nora Wrestle" (for Pi Theatre's Werewolves)
"NYC" (for Kaleidoscope Theatre's Little Women)
"Fathers Letter" (for Kaleidoscope Theatre's Little Women)
Demo for Adventures in the Rouge Trade (originally produced by Kaleidoscope Theatre):
Music by Alexander Brendan Ferguson & Robert Clinton. Book & Lyrics by Robert Clinton. ©2005 SOCAN
Voices: Zachary Stevenson, Katie Murphy, and Alexander Brendan Ferguson
"Musical Thunder"
"Who Is Calling"
"Crossing Over"
"What About Me?"
"Way of the World"
"Hoist the Sails"
"All Far Away"
"Suspence"
"The Game"
"Welcome Brave One"
"Underwater Ghosts"
"Nightlake"
"Benediction"
"Curtain Call (The Map)"
